{"id":6359,"date":"2024-07-05T11:42:05","date_gmt":"2024-07-05T11:42:05","guid":{"rendered":"https:\/\/khabarok.com\/entertainment\/screen-share-pride-before-the-fall-off\/"},"modified":"2024-07-05T11:42:05","modified_gmt":"2024-07-05T11:42:05","slug":"screen-share-pride-before-the-fall-off","status":"publish","type":"post","link":"https:\/\/khabarok.com\/?p=6359","title":{"rendered":"Screen Share | Pride before the fall off"},"content":{"rendered":"

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\nA still from Hirokazu Kore-eda\u2019s \u2018Monster\u2019\n<\/p>\n<\/div>\n

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Now that Pride Month has wrapped up, corporate giants have shed their yassified rainbow exteriors and reverted to their standard-issue selves. For them, Pride has always been another trend to exploit for a quick buck, a fleeting act of tokenism. So, in the spirit of authenticity, I thought it\u2019d be fitting to recommend some truly unforgettable queer films that seemed to have been forgotten somewhere along the line, on the cusp of glory.<\/p>\n

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In many ways, Jonas Poher Rasmussen\u2019s Flee <\/i>feels as if Persepolis <\/i>and Waltz with Bashir<\/i> had a brilliant, queer baby. It\u2019s a one-of-a kind animated documentary that chronicles the harrowing journey of Amin Nawabi, a pseudonym for a gay Afghan refugee. What really made Flee<\/i> so special was the animation\u2019s ability to release Amin of his inhibitions and allow him to stay true to his shifting identities, in his own words. The film made history as the first to be nominated under Animated Feature, Documentary Feature as well as the International Feature categories.<\/p>\n

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\nA still from Jonas Poher Rasmussen\u2019s \u2018Flee\u2019\n<\/p>\n

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It\u2019s the most curious thing how memory plays such an integral part in shaping one\u2019s identity; the same idea won Japanese auteur Hirokazu Kore-eda the Queer Palme at Cannes last year for his psychological thriller, Monster<\/i>. The film revolves around a mother who notices her son Minato\u2019s disturbing behaviour and learns he claims to have been hit by his teacher. A tale of misperceptions and misunderstandings, all\u2019s not what it seems in Kore-eda\u2019s poignant journey of self-discovery.<\/p>\n

Historically, the Queer Palme has spotlighted a number of beautiful pieces of storytelling that Monster <\/i>followed in the footsteps of. However, winners of the prize seem periodically cursed with being snubbed at the Academy Awards. Take, for instance, Celine Sciamma\u2019s seminal lesbian romance Portrait of a Lady on Fire<\/i>. The forbidden period love story was arguably the most gorgeous-looking works of cinema the year had to offer. Alas, the French Film Commision had their sights set elsewhere (Ladj Ly\u2019s Les Miserables<\/i>) to offer Sciamma a much-deserved shot at Oscar glory.<\/p>\n

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The pattern persisted with Pakistan\u2019s official submission for the Oscars 2023 \u2014 Saim Sadiq\u2019s groundbreaking Joyland<\/i>. The film tells the story of Haider, who becomes infatuated with Biba, a trans dancer, with the constrictions of patriarchy taking hold. It\u2019s a brave piece of subversive storytelling from the debutant filmmaker, one that most-definitely deserved a global stage like the Academy Awards.<\/p>\n

Most recently, the Irish-Brit heart-throb duo in Andrew Haigh\u2019s gay romance, All Of Us Strangers<\/i>, fell prey to Academy snubbing. Andrew Scott\u2019s sizzling on-screen chemistry with co-star Paul Mescal made for the most haunting coming-out story of 2023.<\/p>\n

Here, in the spirit of Pride, it\u2019s only fair that these films recieve a moment in the sun beyond the trappings of merely \u201cqueer cinema\u201d, rather, films that serve as fitting reminders of some really inspiring storytelling. And no accolades could ever hope to capture that, quite frankly. <\/p>\n

From <\/i>The Hindu cinema team, a fortnightly column recommending films and shows tied to a mood, theme, or pop cultural event. <\/i><\/p>\n<\/div>\n

Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

A still from Hirokazu Kore-eda\u2019s \u2018Monster\u2019 Now that Pride Month has wrapped up, corporate giants have shed their yassified rainbow exteriors and reverted to their […]<\/p>\n","protected":false},"author":1,"featured_media":6360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[180],"tags":[13820,3796,13819,13816,13815,13818,13817,5164,13813,13812,13814,253,9234],"class_list":["post-6359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","tag-all-of-us-strangers","tag-fall","tag-joyland","tag-lgbtq-films","tag-lgbtq-cinema","tag-monster-2023","tag-portrait-of-a-lady-on-fire","tag-pride","tag-pride-2024","tag-pride-month","tag-queer-cinema","tag-screen","tag-share"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t