One book that continues to be discussed, translated and read 114 years after it was published in India is Rabindranath Tagore\u2019s Gitanjali<\/i>. The Bard of Bengal won the Nobel Prize for Literature in 1913 but he was known much before that as a popular writer of short stories, novels, poetry, dramas and songs. A voluminous collection of 157 poems, Gitanjali <\/i>has stirred people\u2019s imagination like no other. Undoubtedly a literary gem, it has inspired generations of writers and artistes with the way Tagore has expressed his thoughts and emotions through the verses. Santhosh Kana, a teacher and writer, recently launched an audio series \u2018Tagore\u2019s Gitanjali \u2014 A Musical Pilgrimage\u2019 combining 18 poems. His soothing narration is backed by melodious sitar music. He spent three to four years choosing poems and appropriate ragas for each. In an interview, Santhosh shares the excitement of putting together this series based on the book he grew up reading.<\/p>\n \n Santiniketan <\/div>\n What inspired you to create an audio series and how did you think of using Indian classical music?<\/b><\/p>\n Ever since I began reading Gitanjali<\/i> in my school days, I was instantly drawn to it, and was able to connect with the poetic and philosophical depth of the work. I wanted to share this with people and found music as one of the most natural tools for this expression. Hence, the choice of the sitar for background score. The instrument like the book is distinctly Indian. <\/p>\n Tagore\u2019s writings have a lyrical richness to them, Gitanjali is a fine example. The Bengali original is quite musical and Tagore had even prepared the notations for each poem. Rabindra Sangeet, the school of music, started by Tagore is an incredible confluence of musical tributaries from varied lands and languages. The initial effort was to understand the emotions evoked by each poem, the mood and imagery in it. Crafting the background music to suit the poem\u2019s structure and flow and its emotional intensity was the main part of the process.<\/p>\n \n Gitanjali, by Rabindranath Tagore, has a collection of 157 poems.\n <\/p>\n <\/div>\n What elements do you consider essential in maintaining the integrity of the original?<\/b><\/p>\n First and foremost is my subjective experience of the text. That\u2019s why each reader\u2019s journey is different; it opens a new door to the work. For me, Gitanjali has a meditative and deeply reflective tone throughout and therefore I have decided to capture and communicate that in my series. I am overwhelmed by the response to my approach of blending music, voice and visuals. You know how scrupulous Santiniketan and Tagore lovers can be. One of the best comments I have received was from Amartya Mukherjee, faculty of Drama Department at Visva Bharati. He said, \u201cThis is an excellent example of music therapy\u201d. I would like to give special credit to Anandu Pai, who did the music production and Paulson KJ, who played the sitar.<\/p>\n \n Santosh Kana has chosen 18 poems from Gitanjali for his audio series \u2018Tagore\u2019s Gitanjali – A Musical Pilgrimage\u2019. <\/div>\n Could you share the thought process behind selecting specific poems? What drew you to these pieces?<\/b><\/p>\n Since I have read Gitanjali<\/i> in English a number of times, while taking up a project like this, I wanted to select verses which would encapsulate the essence of the book\u2019s dominant philosophy. Taking up all poems for a musical format would have been tedious and a mammoth task. That\u2019s what I felt. Therefore, I selected 18.<\/p>\n How do you view the timelessness of Tagore\u2019s poetry, and how does it speak to today\u2019s world?<\/b><\/p>\n Any writer or work of art gets revisited as years pass, each visit is in a new and contemporary format. Tagore\u2019s vision will be relevant for all times. He didn\u2019t advocate any sort of spiritual escapism from life, rather insisted on gracefully facing the challenges and understanding life in its comprehensive totality. Poems in Gitanjali<\/i> connect us to Nature and fellow humans \u2014 kindling empathy and sensitivity. Tagore\u2019s poems expressing his vision on holistic education are relevant too. Gitanjali<\/i> is a call to create a more compassionate world, where there are no narrow walls of sects and beliefs, where rational thinking replaces blind faith. <\/p>\n Published – November 12, 2024 06:27 pm IST<\/span><\/p>\n<\/div>\n<\/div>\n![\"Santiniketan](\"https:\/\/th-i.thgim.com\/public\/incoming\/1j5nlh\/article68844987.ece\/alternates\/FREE_1200\/IMG_site_1375_0001_9_1_LDBOVL69.jpg\" "\\"Santiniketan")
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\n Rabindra Bhavan Archives\n <\/p>\n![\"Gitanjali,](\"https:\/\/th-i.thgim.com\/public\/incoming\/utfa2t\/article68844942.ece\/alternates\/FREE_1200\/29dmc_admit_Rabindranath-Tagore.jpg\" "\\"Gitanjali,")
<\/div>\n![\"Santosh](\"https:\/\/th-i.thgim.com\/public\/entertainment\/music\/ce6uqq\/article68844965.ece\/alternates\/FREE_1200\/15fr_Santhosh%20Kana.jpg\" "\\"Santosh")
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\n Special Arrangement\n <\/p>\n
![\"Rabindranath](\"https:\/\/www.thehindu.com\/theme\/images\/th-online\/1x1_spacer.png\" "\\"Rabindranath")
<\/picture><\/div>\n\n Rabindranath Tagore.
\n | Photo Credit: The Hindu Archives\n <\/p>\n<\/div>\n
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