Aaralam Farm, Asia\u2019s largest tribal resettlement area, bordered by water bodies and bedecked in green cover, has resentment simmering within its residents. Jibeesh Usha Balan\u2019s 32-minute documentary Aneki Sambhavana Hein<\/i> is an honest effort at making known their unfair reality to the world.<\/p>\n Since 2006, more than 3000 tribal families have been rehabilitated in the Aralam Farm in Kerala\u2019s Kannur, following protests led by activist C.K. Janu. Landless tribals from Kannur, Kozhikode and Wayanad, happy with the government\u2019s promise of an acre for themselves, had relocated to the area with dreams of a decent living. More than a decade later, amid thinning hope, they are leaving the land for which they had once fought so dearly for.<\/p>\n Director:\u00a0<\/b>Jibeesh Usha Balan<\/p>\n Duration:<\/b>\u00a033 minutes<\/p>\n Storyline:<\/b>\u00a0The documentary tells the story of the man-animal conflict and other woes that cripple the lives of the tribal residents of Aralam Farm, where they were rehabilitated by the Kerala government<\/p>\n<\/div>\n The film, which grabbed an official selection at the IDSFFK and the Shades Short Film Festival, walks us along the farm\u2019s forest paths, trailing through the daily lives of its inhabitants. The camera intently follows the characters as they introduce us to the village, its abandoned homes, the non-functioning school, the hard-to-access hospital with its only ambulance, the rivers coiling around the farm, the broken boundary walls near the forest, and the most pestering problem, the man-animal conflict, which has nipped in the bud, all hopes for a peaceful life.<\/p>\n After five in the evening, a resident says, it is unsafe to be outside their homes as elephants in the area are hostile to humans. In this man versus animal discord, 14 people have lost their lives so far. The government provides saplings for the people to cultivate. But wild boars, elephants and other creatures eat away the shoots and fruits, making farming impossible in the region.<\/p>\n Protests and calls for justice made the government build a wall near the forest, which the people say has created more nuisance than before, as now the beasts have begun coming in from unpredictable quarters. The elephants simply push the wall down and stomp over it.<\/p>\n Whereas, in a neighbouring locality, when one person from the general\/unreserved category was killed by a tusker, a sturdy wall got built in that area, which the animals have not been able to pull down. \u201cWe are Adivasis. What does it matter to the government if we are dead,\u201d the tribal residents say to this.<\/p>\n Winner of Best Documentary Award by the Indian Film House, the film is a compelling watch. It begins slowly, giving the viewers time to drink in the scenic beauty, and gently presenting the dilemma. From there onwards, it keeps the viewers glued to their screens, with the gravity of the situation seamlessly taking the lead. Jibeesh has let the people and their stories speak for themselves without interruption or scripted narration.<\/p>\n A light-hearted approach has been maintained throughout without playing down the severity of the situation, making the film an easy watch. The background score adds an eerie feeling to the visuals and aids the storytelling, though it goes over the top in some sequences. In many places, the subtitles also could have been better.<\/p>\n ALSO READ:<\/b>Malayalam short film \u2018The Cycle\u2019 explores the consequences of taking the easy route<\/p>\n As the film progresses, it becomes evident that more than the lack of basic facilities, what the community detests most is the feeling of alienation and the disappearing hope. People from outside are not permitted inside the farm, increasing their sense of isolation. Many have picked up their belongings and left the place. Many are about to. Most of those who stay do not have other options.<\/p>\n It feels too soon when the film ends in 32 minutes without an explicit conclusion, declaration, or demand. Since the situation gets portrayed quite effectively, spelling out what has to be done becomes unnecessary. The documentary ends with the residents saying, \u201cWhichever government is in power, it is a fool\u2019s game they keep playing. Our reality never changes. Tribals will always remain tribals.\u201d<\/p>\n Aneki Sambhavana Hein is streaming on Cue Studio YouTube channel and on the website thecue.in<\/i><\/p>\n![\"\"](\"https:\/\/th-i.thgim.com\/public\/incoming\/vf69lg\/article67993790.ece\/alternates\/SQUARE_80\/Thespians%20of%20Aattam8.jpg\")
<\/div>\n<\/div>\n<\/div>\nAneki Sambhavana Hein (Malayalam)<\/h5>\n
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<\/picture><\/div>\n\nA still from the documentary \u2018Aaneki Sambhavana Hein\u2019.
\n| Photo Credit: cue studio\/YouTube\n<\/p>\n<\/div>\n
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